All STRIGEL, Bernhard 's Paintings
The Painting Names Are Sorted From A to Z

Choice ID Image  Paintings (From A to Z)       Details 
39729 Emperor Maximilian I and his family  Emperor Maximilian I and his family   mk150 1516 72.8x60.4cm
40312 Emperor Maximilian i with his family  Emperor Maximilian i with his family   mk156 1516 Oil on panel 72.8x60.4cm
45257 Gedenkblatt auf das Jahr  Gedenkblatt auf das Jahr   mk181 1848 Munchen Stadtmuseum
63694 Holy Family  Holy Family   1505 Panel Germanisches Nationalmuseum, Nuremberg The picture shows a panel of the Mindenheimer Altarpiece.Artist:STRIGEL, Bernhard Title: Holy Family Painted in 1501-1550 , German - - painting : religious
9159 Holy Family et  Holy Family et   c. 1505 Panel Germanisches Nationalmuseum, Nuremberg
9160 Portrait of Conrad Rehlinger and his Children ar  Portrait of Conrad Rehlinger and his Children ar   1517 Wood, 209 x 101 cm and 209 x 98 cm Alte Pinakothek, Munich
9158 Portrait of Sybilla von Freyberg (born Gossenbrot) er  Portrait of Sybilla von Freyberg (born Gossenbrot) er   Wood, 61 x 35,8 cm Alte Pinakothek, Munich
9162 St Ladislas Presents Wladislav II and his Sons to the Virgin (detail) wr  St Ladislas Presents Wladislav II and his Sons to the Virgin (detail) wr   1511-12 Wood, 43 x 30,8 cm (full panel) Museum of Fine Arts, Budapest
9161 St Ladislas Presents Wladislav II and his Sons to the Virgin r  St Ladislas Presents Wladislav II and his Sons to the Virgin r   1511-12 Wood, 43 x 30,8 cm Museum of Fine Arts, Budapest
STRIGEL, Bernhard
German Northern Renaissance Painter, ca.1460-1528..Painter, son or nephew of Hans Strigel II. His training with Hans Striegel II shows stylistically in his early works in the Grisons, e.g. the Last Judgement (1486; Brigels, pilgrimage chapel of St Eusebius) and an altarpiece at Disentis (1489; St Johann Baptist). In the 1480s and 1490s he also worked in the studio of Ivo Strigel. Motifs in his pictures stem from engravings by Martin Schongauer and from Ulm book woodcuts. He met Bartholomus Zeitblom as a fellow worker on the high altar (1493-4) of Blaubeuren Abbey, both being influenced by Netherlandish art: Zeitblom by Rogier van der Weyden but Strigel primarily by Dieric Bouts. This influence is also seen in his Adoration of the Magi altarpiece (c. 1500; Memmingen, Stedtmus.). The altar of the Virgin for the monastery at Salem (1507-8; Salem, Schloss) has links with D?rer's graphic work: an increasing three-dimensionality and monumentalization of the objects and figures, and their disposition in space.

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